Who will taste the cherries?
In my new essay on Aeon: The computist has one dream: to debug the subjectivity out of all of human knowledge, creating a pure, frictionless world
In my new essay on Aeon: The computist has one dream: to debug the subjectivity out of all of human knowledge, creating a pure, frictionless world
It’s very hard to replicate the aesthetic pleasure of a moonvine on-screen. The composition suffers from a lack of texture. There’s no wind or rain inside a smartphone.
The cyclical revival of “glass” as a sign of newness, technical sophistication, and innovation.
There might be spoilers in here. But I need to talk about the furniture.
There’s something to be said for the preservation of interaction, ideas, and execution.
The more I see craft mentioned as a power of design, the more I feel that a working definition is urgently needed.
What to make of aesthetics in the interface, “neu” and old.
The way metaphor permeates the interface points to a continued struggle to live with the complexity introduced by the very media we’ve created to manage it.
From Le Corbusier to Figma, “design is, at its core, a permanently subject-oriented discipline.”
Project Phoebe Phase 2: Dynamic contrast, and a mutative engine.
Design shouldn’t just adapt to screen size. Context isn’t all about adding more information.
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