Design at its intersections with sociology, philosophy, and cognition.
Plastic promised a world in which our inventive capabilities would be unbound and infinite. It’s easy to hear an echo (or a warning voice) of those proclamations today.
The more I see craft mentioned as a power of design, the more I feel that a working definition is urgently needed.
A piece of architectural criticism focused on the role of generative AI in the imagination of architecture and the ways that the technology elides questions about whose work went into the image.
Figma has added the sparkle emoji to our design tools. What does it really mean?
The phrase “make designs,” I would argue, does not describe what occurs when the button is pressed.
The most interesting explorations are those that show something unexpected: a constellation of system features that creates a slight unbalance or a new focal point in the composition.
In some AI discourse, “error” can be anything that’s open to multiple interpretations. In other words, error can be seen as subjectivity itself.
Continuing the exploration of how tangible objects present us with an interface of everyday life.
Drawing to feel, and the chair as interface.
What to make of aesthetics in the interface, “neu” and old.
The way metaphor permeates the interface points to a continued struggle to live with the complexity introduced by the very media we’ve created to manage it.
